keri marionSo I’ve started the piece and probably got about 3 sqare feet done (of 20), but man, it’s gonna be coo-oo-ool. But these will be the last of them that I post for a while because I don’t want to ruin it for them. Clicking on the images will give you an extra large version.
These are test strips to see how I like varying sized strips. I do like it quite well, and I think I will probably have some of these varied “ribbon badges” interspersed with bigger solid pieces. I’m not completely sold yet, but then I only have a bit more than half of the solid pieces…
So I was working out some more ideas for the Gammons and I’ve come up with a couple other topics / ideas that I’d like to explore, either in this piece or in future pieces. First, I think I’ve settled on a “satin stitch” for the assemblage. I may mix this up a little once…
Well, today I started working out the drudgery of cutting leather swatches for the piece the Gammons commissioned me to do before we left Monterey. I’m actually very excited about it because it’s all process and even though I don’t like cutting the insane amount of leather I have to cut, I think the end…
Piece Piece Make somethingCut / dissect it into many piecesPut the many pieces into a bagRandomly pull the pieces from the bagReassemble it 2007
Submissions for White on White, curated by Cecil Touchon. Untitled, wood bound by craft string restricted by latex. Untitled, machine-stitched leather & forced pen fastened to pressboard Untitled, plastic gender-oriented objects and masking tape on drawn wood.